en Cuevana. Following a pandemic, the irreducible spectators of the Cinémamecque are forced not stay in their favorite cinema. The director of the Cinémamecque decides to keep his moviegoers inside the theater, in quarantine. These confined cinema-goers, tested negative, are determined to take advantage of the new confines that projection allows them. What if the cinema was a drunken boat of new horizons?
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